Some paintings require very little paint. Others want thick layers. Some sit for a while as they are and then later beckon for more paint.
In my first episode of Painting as Experimentation, I wrote about current recurring motifs: angels, halos, auras, movement.
There is another motif I would like to add, and that is rain. I love rain, and have been spending a lot of time lately trying to develop rain on canvas. Here is a canvas that has evolved over the past year, entitled "Couple in the Rain." These kind of multi-layered paintings amuse me. As they hang on my wall, I love contemplating just how many incarnations a painting has. And when they've had many, I try to leave clues of what they once were.
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And here it is in my dining area:
I am currently working on all white installation. And wanted more rain on the canvas. So its next incarnation was this:
I was not happy with this version. So knew immediately that the painting had more lives. The canvas wanted a more subtle rain, and I wanted to incorporate shiny metallic paint.
So, here is its current incarnation, which I am pleased with. The auras are clear, the angels look ghostly as they approach the rain. I think I'm going to continue this experiment and make the painting more tactile by building up the rain. I'll, of course, keep you posted.
Here is a detail of the ghostly-angels with love piercing their hearts. I hope this image conveys a sense of somber romance. Just like rain.
1 comment:
Love the way you take us through the various stages of evolution of your art, the way u added rain the shimmer & the heart. Beautiful.
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